Two characters (men or women) are there, waiting for something.
One – You don’t look well. Got stage fright?
Two – No, I’ve gone blank…
One – What do you mean, blank? Memory lapse? We haven’t even started yet…
Two – I can’t remember which play we’re supposed to be doing.
One – It’s Sunday. Don’t we do Hamlet on Sundays?
Two – Yes, but we do two shows on Sundays. Matinee and evening. Hamlet and A Streetcar Named Desire.
One – Matinee’s Hamlet, evening is Streetcar, right?
Two – That’s just it, I’m not sure anymore.
One – Well now I’m doubting it too.
Two – We’re doing so many plays. I’m in thirteen at the moment.
One – I’m in fifteen.
Two – And we know all the lines, down to a T.
One – It’s just that, right now, I’ve got no idea which one we’re meant to be doing.
Two – Hamlet, or not Hamlet?
One – That is the question.
Two – What time is it exactly?
One – No idea. I had a quick nap and my watch stopped.
Two – I left mine at home.
One – But are we doing the matinee or the evening show?
Two – Not a clue… I haven’t seen daylight in ages.
One – If it’s the evening show, we must have already done one. We should know which.
Two – I’m doing three a day at the moment. One at 3pm, one at 7, and one at 10.
One – Same here. I even do a children’s show at 10 in the morning.
We hear the bell that signals to the actors they’ll be going onstage shortly.
Two – Too late to ask what play we’re doing now. Did you hear the bell? We’re on in one minute.
One – But the audience… they know what they came to see.
Two – Of course. So what do we do?
One – Here’s my suggestion. We go on. We do the first two lines of Hamlet, and watch the audience’s faces. If they look surprised, we switch to Streetcar.
Two – You think…?
One – Let’s give it a shot.
Two – OK.
A pause.
One – Who’s there?
Two – Nay, answer me! Stand and unfold yourself!
A pause.
One – They look surprised, don’t they?
Two – OK. Let’s switch to A Streetcar Named Desire…
One – Let’s go back to the beginning and pick it up from there, alright?
Two – OK.
A pause.
One – Who’s there?
Two – Nay, answer me! Stand and unfold yourself!
One – Hey there, Stella, baby!
Two – Don’t holler at me like that. Hi, Mitch.
A pause.
One – Yeah, it flows quite well.
Two – It could work.
One – And if they still look surprised?
Two – I don’t know.
One – We could alternate the lines.
Two – Alternate the lines?
One – One line from Hamlet, one line from Streetcar, and so on.
Two – We can try.
A pause.
One – Who’s there?
Two – Hey there, Stella, baby!
One – Nay, answer me! Stand and unfold yourself!
Two – Don’t holler at me like that. Hi, Mitch.
A pause.
Two – Yeah… But the play’s going to be twice as long.
One – Two plays for the price of one. Who’s going to complain?
Two – True.
One – And in the evening?
Two – Same thing, but we start with the other play.
One – That’ll probably give a whole new meaning to both masterpieces.
Two – We’ve just invented the theatrical exquisite corpse, haven’t we?
The bell rings again.
One – This time, we’ve got to go.
Two – So we’re starting with A Streetcar Named Desire…
One – Didn’t we say Hamlet…?
Blackout.

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A sketch from the collection Backstage Bits
Link to the collection for free download (PDF)

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L’article Exquisite Corpse est apparu en premier sur La Sketchothèque.