Ramirez, a police inspector, enters, followed by his deputy, Sanchez. They look around.
Ramirez – You haven’t touched anything?
Sanchez – No… What would I have touched?
Ramirez – True… I’ve never seen a crime scene so… desperately empty.
Sanchez – Yes…
Ramirez – Finding clues here is going to be tricky.
Sanchez – I don’t see what we could send to the lab… aside from the air we’re breathing.
Ramirez – You know, that’s an idea…
Sanchez – You want me to send an air sample to the lab?
Ramirez – There’s no visible weapon… Maybe it was gas poisoning.
Sanchez – Only an autopsy would tell us that…
Ramirez looks around again.
Ramirez – An autopsy, fine, but… where are the bodies?
Sanchez looks around too.
Sanchez – Apparently, there are no bodies either.
Ramirez – What do you mean, no bodies? If there are no bodies, there’s no crime! And if there’s no crime, there’s no crime scene…
Sanchez – There must be victims, though. Otherwise, we wouldn’t be here.
Ramirez – There are victims, but no bodies?
Sanchez – I don’t see any…
Ramirez – The perpetrator must have disposed of the bodies… But how?
Sanchez – I suppose that’s what we’re here to find out…
They look around again, then at the floor.
Ramirez – I don’t see anything.
Sanchez – Ah, I think I’ve got something.
Ramirez – What is it?
Sanchez – A book.
Ramirez – A book?
Sanchez (flipping through it) – A play.
Ramirez – How do you know it’s a play?
Sanchez – It’s published by Comediatheque Editions.
Ramirez – Do you think it could help with our investigation?
Sanchez – Who knows… (He keeps reading) It’s unsettling… The characters in here have the same names as us…
Ramirez – No?
Sanchez – Inspector Ramirez and his deputy, Sanchez…
Ramirez – Let me see… (He takes the book and reads a few pages) And their descriptions match exactly those of the victims we’ve been sent to investigate.
Sanchez – So… if we go with that theory… we’re characters in a play?
Ramirez – Worse than that: we’re dead…
Sanchez – And we’ve been assigned to investigate our own disappearance…?
Ramirez – This is the strangest case I’ve encountered in my entire career.
Sanchez – What type of play is it? Comedy? Tragedy?
Ramirez – You know me, theatre’s not really my thing…
Sanchez – What’s the title?
Ramirez – Dramedies.
Sanchez – Dramedies?
Ramirez – That’s the title of the play.
They exchange baffled looks.
Sanchez – How could characters in a play die? Since they don’t actually exist.
Ramirez – This is all a bit unusual.
Sanchez – Dying on stage, no less…
Ramirez – So you think… we’re on a theatre stage?
Sanchez turns to the audience.
Sanchez – Look at all these people, sitting in the dark… Looks like they’ve come to watch us…
Ramirez – Hell, you’re right… Who do you think they are? Witnesses?
Sanchez – Maybe they’re here to watch the re-enactment.
Ramirez – This is crazy… Don’t tell me they even paid to be here.
Sanchez – Why don’t you ask them?
Ramirez – You think we can talk to them?
Sanchez – I don’t know…
Ramirez – It might help with our investigation…
Sanchez – Maybe they saw something…
Ramirez approaches an audience member.
Ramirez – Did you pay for your ticket?
A little improvisation based on the response or non-response of the audience member.
Sanchez – And… did you see anything?
Ramirez – Looks like we’re on our own, as usual.
Sanchez – Yes, because it seems our characters didn’t leave much of an impression…
Ramirez – Sadly, that’s the fate of most ordinary mortals. To leave no trace after their time on Earth.
Sanchez – Still… Us, theatre characters…
Ramirez – True… We might have hoped for a bit of recognition…
Sanchez – The play was probably a flop. When it’s a masterpiece, people remember the characters, don’t they?
Ramirez – Especially the leads… Some characters even become more famous than their authors.
Sanchez – Take Sherlock Holmes, everyone remembers him. But who remembers the name of the author of Sherlock Holmes?
Ramirez – Elementary, my dear Watson. It’s Conan Doyle.
Sanchez – Alas, you’re no Sherlock Holmes.
Ramirez – And you’re no Doctor Watson.
Sanchez – Otherwise, we’d have solved this mystery ages ago.
Ramirez – What can you do… We’re just minor characters.
Sanchez – The ones nobody remembers once the curtain falls… Who said life is but a dream?
Ramirez – Life… It feels long, especially at the beginning. You start saying your lines in the first act.
Sanchez – At first, you don’t realise the play’s already written.
Ramirez – And gradually, you remember the words as you’re saying them.
Sanchez – Until you remember them before you say them.
Ramirez – And when the story nears its end… You just hope you don’t mess up your exit…
Sanchez – It’s a bit musty in here, isn’t it?
Ramirez – That’s the smell of the theatre.
Sanchez – The good news is, we’ve managed to find the bodies.
Ramirez – Yes… And they seem to be starting to stink.
Sanchez – The smell of decomposing characters…
Ramirez – The ones from all those flops that couldn’t hold the stage.
Sanchez – Plays that never found their audience, as they say…
Ramirez – The one we were in must not have been very timely… Take an air sample. We’ll send it to the lab for confirmation.
Sanchez takes a small bottle from his pocket, uncaps it, waits a moment, then caps it and puts it back in his pocket.
Sanchez – And there we go. Curtain call.
Ramirez – Time to exit the stage. For good. For us, this was the last performance…
Sanchez – Let’s head out this way.
Ramirez – To think all these poor people paid to be here…
Sanchez – Dramedies.
Ramirez – We should have called it Autopsy of a Flop.
Sanchez – I’d have preferred to be in a masterpiece… To leave a legacy.
Ramirez – Maybe next time…
They exit.
Blackout.

All the texts available on this website can be downloaded for free. However, performance rights, which constitute fair compensation for the author’s work, are a legal obligation. Whether you are an amateur or a professional, you must request authorization to perform the play and pay the corresponding royalties for the production.

To get in touch with Jean-Pierre Martinez and ask an authorization to represent one of his works: CONTACT FORM.

A sketch from the collection Dramedies
Link to the collection for free download (PDF)

Find all of Jean-Pierre Martinez’s plays on his website:
https://jeanpierremartinez.net

L’article Crime Scene est apparu en premier sur La Sketchothèque.

The beam of a torch in the darkness. Then a second one. The first light shines on the second person’s face.
Him – Ah, it’s you! You gave me a fright…
Her – Well?
Him – It’s done, everything’s in the truck.
Her – It all went smoothly?
Him – The usual.
She directs her torch beam toward the audience.
Her – So, no one was there…
Him – With the racket that mutt made when I arrived… If anyone had been in the house, they’d have woken up.
Her – Or maybe they’re dead.
Him – Don’t tempt fate. Can you imagine? Breaking into a place at night only to stumble on a corpse…
Her – With my luck lately, it wouldn’t surprise me.
Him – Yeah… I saw that happen in a film once. Can’t remember what it was called…
Her – You can tell me about it another time. And the dog… Is it all right?
Him – Thanks for asking if I got bitten…
Her – Did you?
Him – Tore a hole in my trousers. I had to knock it out…
Her – If there’s no one around, we can turn on the lights, right?
Him – Go ahead, all the houses around here are empty. Mostly holiday homes. Not to mention those who’ve already moved away.
Her – Because of all the burglaries, probably.
Him – If this keeps up, there’ll be nothing but empty houses left to rob around here.
She flips a switch, and the lights come on. His clothes are in tatters.
Her – Ah yes, that dog really did a number on you. Poor thing… You didn’t hurt it too much, did you?
Him – Why? Are you going to report me to the Animal Protection Society?
They look around.
Her – You’ve really done a clean sweep. Nothing left.
Him – Everything’s loaded in the truck.
Her – Anything interesting?
Him – Mostly furniture. Some trinkets. Pretty tasteless.
Her – I see…
Him – New-money style.
Her – Better new money than newly poor.
Him – There was a safe, though.
Her – Really?
Him – I managed to open it.
Her – How much?
Him – It’s all in the truck. I didn’t count it.
Her – We’ll check it out in a bit. Let’s not hang around here. You checked the other rooms?
Him – I cleared them all. Did you come with Bob?
Her – I dozed off in the car on the way here; I don’t even know where we are. (She looks around again) It’s amazing how much an empty house can look like any other.
Him – Yeah…
Her – You’re sure it’s the right house?
Him – You saw the cross marked on the wall outside. Bob scouted the place last week.
Her – Yeah… The kind of cross that means valuables, no alarm, easy access…
Him – He got it right. Except for the dog. It must’ve been asleep when he came by.
Her – Funny. This house looks vaguely familiar…
Him – Maybe it belongs to someone you know…
Her – Maybe…
She picks something up from the floor.
Him – What’s that?
Her – An electricity bill.
Him – Must’ve fallen from a drawer.
Her – It’s in my name…
Him – No…?
Her – I thought as much…
Him – You mean…
Her – This is my place! I can’t believe it… You burgled my house!
Him – How was I supposed to know! There was a cross on the wall. Didn’t you tell Bob where you live?
Her – No… Did you?
Him – It never crossed my mind…
Her – Oh, for heaven’s sake… One in a million chance…
Silence.
Him – Well… Guess the move will be quicker…
Her – I had no intention of moving.
Him – So what do we do?
Her – What else? We’ll just have to put everything back in its place. You know, the furniture and all those tacky trinkets. New-money style…
Him – OK…
Her – And you’re going to give me my money back. Maybe I’ll have enough to buy a new safe with it. Now that you’ve cracked mine open…
Him – Don’t get too sentimental about that safe. It was junk. I got it open in five minutes…
Her – Unbelievable. I hope the dog’s all right, at least…
Him – You’re still worried about that bloody mutt?
Her – It’s my dog! My dog that you knocked out!
Him – Oh, right, sorry… Don’t worry, it’ll be fine.
Her – Yes… I saw him lying by his kennel when I came in. I wondered why he didn’t bark when he saw me.
Him – Well, he recognised his owner, didn’t he?
Her – Yeah… And I didn’t even recognise my own house…
Him – And then they say animals aren’t as clever as us.
Her – Right then, let’s get to work. We’re not done here, are we…
Him – Or we could report the burglary, and you could claim it on the insurance.
Her – You think?
Him – We’ll get rid of all this junk, if we can pawn it off on someone. And you can use it as an excuse to redecorate…
Her – Yeah… And the stage designer can skip the scene change.
Him – Shall we go out through stage right or stage left?
They exit.
Blackout.

All the texts available on this website can be downloaded for free. However, performance rights, which constitute fair compensation for the author’s work, are a legal obligation. Whether you are an amateur or a professional, you must request authorization to perform the play and pay the corresponding royalties for the production.

To get in touch with Jean-Pierre Martinez and ask an authorization to represent one of his works: CONTACT FORM.

A sketch from the collection Dramedies
Link to the collection for free download (PDF)

Find all of Jean-Pierre Martinez’s plays on his website:
https://jeanpierremartinez.net

L’article Scene Change est apparu en premier sur La Sketchothèque.

She stands in the middle of the empty stage, looking around. He enters.
Him – Ah, there you are! I was looking all over for you…
Her – That’s it, the last truck has just left with the final boxes.
Him – You checked everywhere? Nothing left in the house?
Her – Nothing. Except our memories…
He places a hand on her shoulder.
Him – Come on… We’ll make new ones!
Her – Of course… But plans don’t erase nostalgia.
Him – Any regrets?
Her – No…
Him – Do you remember the first time we walked into this house, to view it?
Her – It was empty then, too.
Him – And between those two emptinesses, we lived. We filled this house. With furniture. Paintings. Children…
Her – And it filled us. With joy. Happiness. Memories.
Him – We’re taking those with us.
Her – And we’re leaving this place almost as spotless as we found it.
Him – Much cleaner, if you ask me.
Her – I wonder who’ll come next… We know nothing about them.
Him – And they’ll know nothing about us.
Her – Just as we know nothing of those who were here before us.
Him – People come and go, houses remain.
Her – Until the houses crumble too. Or are demolished. To make way for blocks of flats.
Him – Some houses are haunted by bad memories.
Her – Yes… Every house has a story. Stories.
Him – Like the story of a crime, for instance.
Her – A crime?
Him – Not all crimes happen out in the open, you know. Most are committed at home. Often within families… And when it becomes a headline, the house becomes unsellable. Sometimes, I imagine, they end up demolishing it to build a new one in its place. A house without a past…
Her – Thank you, that’s very uplifting.
Him – Who knows… Maybe this house, before us, didn’t only witness happy times.
Her – Well, we never found any skeletons in the closets.
Him – Maybe if we’d dug around in the cellar…
Her – Right… Well, in that case, I think we should get going.
Him – See? You just had to ask…
Her – Thanks… I know I can always count on you in difficult times.
They head toward the exit. She bends down and picks something up from the floor.
Him – What is it?
Her – Looks like a manuscript.
Him – A manuscript?
Her – Seems to be a play.
Him – How can you tell?
She flips through the pages.
Her – People talking, if you like. Not like a novel.
Him – I see… Dialogues…
Her – Or it could be a film script.
Him – Is it about a crime?
Her – I don’t know.
Him – It must have been wedged behind a radiator, and with the move, it fell to the floor. The paper’s completely yellowed.
Her – But it’s still legible. After all these years. Can you believe it?
Him – What is it? A comedy? A drama?
Her – We’d have to read it.
Him – Who could have written this?
Her – Someone who lived here before us, I suppose.
Him – Incredible… What if it’s a masterpiece…
Her – It could just as easily be rubbish.
Him – Is it signed?
Her – No… I can’t see an author’s name.
Him – It might be unpublished. An anonymous manuscript, can you imagine? You could sign it and publish it… You’re a publisher. For you, it’d be easy.
Her – That would be plagiarism.
Him – If the author’s dead. And no one knows they wrote it…
Her – I’ll start by reading it…
Him – Isn’t it strange?
Her – What?
Him – We’re leaving this house, and we’re taking someone else’s story with us.
Her – I hope it’s not a tragedy…
Him – At least we didn’t find a body.
Her – It almost makes me want to search…
Him – You think?
Her – Maybe the author’s buried in the cellar…
They leave.
Blackout.

All the texts available on this website can be downloaded for free. However, performance rights, which constitute fair compensation for the author’s work, are a legal obligation. Whether you are an amateur or a professional, you must request authorization to perform the play and pay the corresponding royalties for the production.

To get in touch with Jean-Pierre Martinez and ask an authorization to represent one of his works: CONTACT FORM.

A sketch from the collection Dramedies
Link to the collection for free download (PDF)

Find all of Jean-Pierre Martinez’s plays on his website:
https://jeanpierremartinez.net

L’article Anonymous Author est apparu en premier sur La Sketchothèque.

A couple. Four chairs. They are sitting.
Her – You all right?
Him – I’m fine… And you?
Her – I’m fine… (Pause) Do you want a drink?
Him – What?
Her – An aperitif? Some peanuts?
Him – No, I’m fine, thanks.
A pause.
Her – It’s nice here, isn’t it?
Him – Here?
Her – In this house.
Him – Yes… (Pause) But it’s not ours.
Her – Oh, isn’t it?
Him – No.
Her – That’s true.
Him – Is it a house, or a flat?
Her – A flat, I think. I’m not sure.
A pause.
Him – Do you remember where our home is?
Her – Our home?
Him – Our real home. Where we belong!
Her – No… Do you?
Him – Neither do I. I can’t even remember what it looked like.
Her – We’ve moved so many times.
Him – That’s true. We do move a lot.
Her – Yes. More and more.
Him – We really should try to remember.
Her – Remember what?
Him – Where we live.
Her – All homes look a bit alike.
Him – Even when it’s a flat.
Her – There are bedrooms. A dining room. A kitchen.
Him – In the kitchen, there’s a fridge, a cooker, a table, drawers…
Her – In the drawers, there are forks, knives, teaspoons.
Him – In the bedrooms, there are children. Sometimes…
Her – When there aren’t, it’s because they’ve already left. To another home.
A pause.
Him – Do you think they’ll come back one day?
Her – The children?
Him – The owners!
Her – Who knows… How long have we been here?
Him – I don’t know… Quite a while, hasn’t it?
Her – Yes.
Him – I’m always afraid someone will ring the doorbell, and it’ll be them.
Her – The children?
Him – The people who live here! The real owners…
Her – Oh, right…
Him – Aren’t you?
Her – Yes. Actually, I wonder if the doorbell works.
Him – What?
Her – The doorbell! We’ve never heard it.
Him – Anyway, when the people who live here come back, they won’t ring.
Her – Why not?
Him – It’s their home! They’ll have the key.
Her – Of course.
Him – When people come home, they don’t ring the bell. They have no reason to think anyone’s inside when they’re not here.
Her – True… Do we have the key?
Him – I don’t know. Do you have the key?
Her – No.
Him – Neither do I.
Her – So how did we get in here?
Him – I can’t remember.
Her – Maybe someone let us in.
Him – Who would have let us in?
Her – The owners?
Him – But we’re alone in this flat.
Her – How long have we been here?
Him – I don’t know…
A pause.
Her – That must be why we never go out. We wouldn’t be able to get back in.
Him – No. Since we don’t have the key.
The doorbell rings. They exchange a worried look.
Her – Do you think it’s them?
Him – We said if it were them, they wouldn’t ring.
Her – So who could it be?
Him – Who knows…
Her – What do we do?
Him – We should answer it, right?
Her – Do you think so?
Him – They’ve seen the light. They know we’re here.
Her – This is it… We’re done for…
Him – We’re going to have to move again.
Her – But where will we go?
Him – I’ll pack our suitcase.
Her – Do we have a suitcase?
Him – Everyone has a suitcase at home, don’t they?
Her – I’ll go and open the door…
Him – What are you going to say to them?
Her – I don’t know…
Him – You’ll have to say something, to explain why we’re here. In their home.
Her – They’re probably just back from holiday.
Him – I’ll go see if we have a suitcase.
She exits. He exits, too. She returns with another couple. Michael has a bottle in hand, and Christine a bouquet of flowers. He returns with a suitcase.
Her – This is Michael and Christine.
Him – Oh, hello…
Michael – Hi. How are you?
Him – I’m fine, and you?
Christine – Great. Are you going on holiday?
Him – No, why?
Michael – You’re holding a suitcase…
Him – Oh, yes, no, I… I was just about to put it away. You know how it is with suitcases, you never know where to put them.
Her – And an empty suitcase takes up as much space as a full one.
Christine – Yes. But it’s lighter.
Michael – True. We should go on holiday with empty suitcases. We’d travel lighter.
They all laugh, a little awkwardly.
Christine – So, how are you?
Him – I’m fine.
Michael – Here, I brought some champagne to celebrate.
Him – Celebrate what?
Michael bursts out laughing.
Michael – Celebrate what? Always a joker, aren’t you?
Christine – He’s funny! Here, I brought some flowers.
Her – Oh yes, lovely.
Him – I’ll go get some flutes.
Her – You want us to play the flute for them?
Michael – Flutes! For the champagne!
Her – Oh, right!
They laugh again.
Christine – She’s funny!
Her – And I’ll find a vase. For the flowers.
Christine – Would you like some help?
Him – No, no, please!
Her – Make yourselves at home.
Him – You know the place.
They both exit.
Michael (smiling) – They’re so funny…
Christine – Yes…
Michael – They haven’t changed. Still as…
Christine – You think so?
Michael – What?
Christine – That they haven’t changed.
Michael – Now that you mention it, I suppose…
Christine – No, but they don’t look anything like…
Michael – Well, a bit, maybe…
Christine – Hmm…
Michael – And you know, people… They change…
Christine – Not this much… Not in a week…
Michael – It was a week ago?
Christine – It was last week. The last time we saw them.
Michael – It’s true, they’ve changed quite a lot.
A pause.
Christine – Or maybe… it’s not them.
Michael – Not them? Then what would they be doing here? If it’s not their home…
A pause.
Christine – You think we could have got the wrong door?
Michael – I doubt it… Besides, they seem to know us, don’t they? If they know us, it means we know them too.
Christine – Yes, of course…
The man returns.
Him – I’m terribly sorry, I couldn’t find any champagne flutes.
Christine – Oh, men…
Michael – Just ask your wife.
The woman returns as well.
Him – Do you know where the flutes are, darling?
Her – No… There might not be any…
Christine – What do you mean? No champagne flutes? Everyone has champagne flutes, don’t they?
Michael – It doesn’t matter. We’ll drink it from regular glasses.
Christine – You’ve got wine glasses, surely?
They don’t look sure.
Him – I didn’t see anything…
Her – I couldn’t find a vase either.
Christine – Surely you have some glasses. In a kitchen…
Her – I couldn’t find the kitchen.
An awkward moment.
Michael – Well… You know what? We’ll drink the champagne from the bottle. Like the Russians!
Christine – Do Russians drink champagne from the bottle?
Michael – The Cossacks, surely. Without even dismounting.
Her – But please, sit down.
They all sit. Awkward smiles. Silence.
Him – And the kids, they’re doing well? (Michael and Christine, who clearly don’t have children, exchange a confused look) No, I meant, kids in general. Not necessarily yours. If you don’t have any…
Her – Or anymore… I mean… You could have had them, and they might have passed away.
Awkward silence.
Her – I’ll see if I can find some peanuts…
She exits.
Him – Anyway, it’s nice of you to drop by.
Christine – We’re friends, aren’t we?
Him – Of course.
Michael and Christine exchange an awkward look. Christine signals Michael to go ahead.
Michael – My question might sound silly, but… do you actually live here?
Him – Why do you ask?
Christine – Well… Our friends who live here don’t look anything like you.
Michael – The last time we came, they looked nothing like you…
She returns.
Her – I found the peanuts!
Christine – So, you found the kitchen…?
Her – I even found some glasses.
Michael – Then we can have a drink!
Christine – Go on…
Michael opens the bottle and pours the drinks. They toast.
Michael – To your health!
Him – To friendship!
They drink.
Her – Have some peanuts.
They eat peanuts.
Christine – I’ve never dared to ask, but…
Him – Yes…?
Christine – Where did you two meet? (Awkward silence) Sorry, I don’t know what came over me…
Her – No, no, it’s just that…
Him – We don’t really remember.
Christine – You don’t remember?
Michael – You don’t remember where you met?
A pause.
Her – I think it was here, wasn’t it?
Christine – Here?
Her – One day, we realised we were living in the same flat.
Him – Yes, funny that… I think that’s how it happened.
Her – It was a while ago, of course.
Him – Yes… A week, maybe.
Her – Yes, that’s right, about a week ago.
Christine – Ah, well…
Him – And you?
Michael – Us?
Her – Have you known each other long?
Christine – No, not very…
Michael – I’d say… Yes, not very long.
Christine – We met in the lobby, downstairs.
Michael – I had a bottle of champagne.
Christine – And I had a bouquet of flowers.
Michael – We figured we must be going to the same place.
Christine – Since I didn’t have the door code…
Michael – Neither did I. I rang a few doorbells at random. You were the first to open.
Christine – Since he seemed to know where he was going, I followed him.
Him – Ah, yes…
Her – Yes, it’s… quite a story.
Him – Very romantic.
Her – You’ll see, it’ll end in a wedding.
Michael and Christine exchange an uncomfortable look.
Michael – So, if I understand correctly, no one here really knows each other.
Her – Apparently not…
Christine – And no one has any business being in this house.
Him – Apparently not…
Michael – So whose house is it?
Silence.
Christine – Would you like more champagne?
Her – Thank you, but it’s getting late. We should probably go.
Him – Anyway, thanks for the hospitality.
Michael – No trouble at all.
He picks up the suitcase and heads towards the door with Her.
Christine – Shall I see you out?
Her – Don’t bother; we know the way.
Michael – Want help with the suitcase?
Him – No… It weighs nothing… It’s empty.
Christine – Well… See you again sometime!
Michael – And thanks for stopping by!
They exit. Michael and Christine sit back down. Silence.
Christine – You all right?
Michael – I’m fine… And you?
Christine – I’m fine… (Pause) Want another drink?
Michael – No, thanks, I’m fine.
Christine – Some peanuts?
He grabs a handful of peanuts and begins chewing.
Christine – It’s nice here, isn’t it?
Michael – Yes… (Pause) But it’s not our place.
Christine – That’s true.
Michael – Is it a house, or a flat?
Christine – A flat, I think.
Blackout.

All the texts available on this website can be downloaded for free. However, performance rights, which constitute fair compensation for the author’s work, are a legal obligation. Whether you are an amateur or a professional, you must request authorization to perform the play and pay the corresponding royalties for the production.

To get in touch with Jean-Pierre Martinez and ask an authorization to represent one of his works: CONTACT FORM.

A sketch from the collection Dramedies
Link to the collection for free download (PDF)

Find all of Jean-Pierre Martinez’s plays on his website:
https://jeanpierremartinez.net

L’article Behind Closed Doors est apparu en premier sur La Sketchothèque.

One – Promise me you won’t panic…
Two – What?
One – Our daughter just told me she wants to be an actress.
Two – No way?
One – Yes.
Two – She just said that, out of the blue?
One – Yes.
Two – It wasn’t after an argument? Just to annoy you…
One – No. It was this morning at breakfast. She was eating her cornflakes. She looked at me and said: “Mum, when I grow up, I’m going to be an actress.”
Two – Right… So, it’s serious.
One – She’s only five, but… You know her, she’s quite determined.
Two – Good grief… What did we do to deserve this?
One – I was speechless.
Two – But afterwards, you tried to reason with her, right?
One – Of course. I told her it’s not a real job, that no bank would ever give her a mortgage, she’d never have private health insurance, and she’d get a pittance when she retires…
Two – And what did she say?
One – Nothing… She just went back to eating her cornflakes.
Two – Do you think we should punish her?
One – You know her, it would only make her more determined.
Two – Well, anyway… She’s only five. She’s got time to change her mind.
The other one checks their phone.
One – Look, she just sent me a message.
Two – Maybe to apologise.
One – She’s asking me to sign her up with a casting agency.
Two – No way? A casting agency? She doesn’t even know what that is!
One – Apparently, she does. She sent me a list of agencies, ranked by preference.
The other looks stunned.
Two – We’ve created a monster.
A pause.
One – Then again… The apple doesn’t fall far from the tree.
Two – What do you mean with that ridiculous saying?
One – Well… We’re both actors, aren’t we?
Two – Yes, but… It’s different for us. We didn’t choose it. We couldn’t do anything else.
One – Yeah, but… She sees that we don’t do much all day, we have a big house with a pool, a fancy car, and a maid…
Two – You don’t say “maid” anymore, you know?
One – Oh, really?
Two – It’s not politically correct.
One – So what do you call it now?
Two – A domestic worker, I think.
One – But it’s still a maid, isn’t it?
Two – Of course.
One – Isn’t “domestic worker” more for people who take care of dependent persons?
Two – We can’t do anything around the house… You could say we’re dependent.
One – I think for people like us, it’s more like… housekeeper.
Two – Whatever. Let’s just keep calling her the maid.
One – Anyway, the thing is, when our daughter sees that we’re basically useless, but people ask for our autographs in the street, she figures acting’s not a bad plan.
Two – Not all actors are rich, though. I’m not sure she knows that.
One – You’re right. We should put her in a boarding house with struggling actors to show her what the job really looks like.
Two – Do you know any?
One – What?
Two – Struggling actors.
One – Not personally, but… I could look into it…
Two – Anyway, I’ve got to go. I’m playing golf with a Danish producer who absolutely wants me in his next film.
One – And I’ve got therapy at ten.
Two – I swear… The day’s off to a great start…
One – We’re definitely putting her in boarding school.
Two – Yeah… But we’ll also have to let the housekeeper go.
One – Also?
Two – What?
One – You said, “we’ll also have to let the housekeeper go.” We’re keeping the maid, right?
Two – Yes, we’re keeping the maid, don’t panic.
One – You scared me…
Blackout.

All the texts available on this website can be downloaded for free. However, performance rights, which constitute fair compensation for the author’s work, are a legal obligation. Whether you are an amateur or a professional, you must request authorization to perform the play and pay the corresponding royalties for the production.

To get in touch with Jean-Pierre Martinez and ask an authorization to represent one of his works: CONTACT FORM.

A sketch from the collection Don’t panic!
Link to the collection for free download (PDF)

Find all of Jean-Pierre Martinez’s plays on his website:
https://jeanpierremartinez.net

L’article Early calling est apparu en premier sur La Sketchothèque.